Month: December 2013

  • Chromatic Aberration

    Sometimes I can really sink into the quiet that the road provides. This—four 4 x 10s with rhymes in lines 2 and 4—is the result of two flights across the US that I endured on Tuesday. ♥ EAB

    Chromatic Aberration

    Exposure: light slips beneath the surface
    of everything, turning out the colors
    inside the molecular code—red is
    never secluded in the dark harbors

    of oxidized iron, except when it’s
    punctuated with copper, or brilliant
    points of silver, or the scaffolding that’s
    carbon as an operating quotient.

    Sunlight bleeds only through smoky filters;
    moonlight hemorrhages twice annually,
    with annular eclipses as consorts
    until the norm returns eventually.

    But as all things shift state, and as all things’
    binding rings decay into lighter worth
    and being, shades and hues source from the same
    pulses of starlight that loom over the earth.

  • Philanthropist.

    I might not get around to it later, so before I get carried off by the whirlwind that’s the end of December, may all the yous out there have a happy and healthy holiday, whatever you celebrate. And Happy 2014!

    On to business: anyone who’s had an extended conversation with me about fiction writing knows that short stories aren’t my preferred medium, as long form fiction and short form poetry are my preferred weapons of choice. That does not mean, however, that I haven’t written them here or there. Not long before I made the transition (transformation?) from writer of literary fiction to writer of genre fiction, I’d started amassing material for a collection of short stories. (It was the summer of ’09, I think.) The concept I’d had in mind wasn’t engaging enough for me to stick with it, but I did knock out a few stories that were useful literary exercises. I’m presently reconsidering the medium, given that two totally unrelated friends in the last week have sent me their short stories for review. Go figure. 

    Without further pomp or circumstance, here’s one of those exercises. I call it

    “Philanthropist.”

    Oceanus Procellarum:

    I. (Mare Nubium)

    “Dad…what’s a philanthropist?”

    II. (Mare Nectaris)

    She had completely forgotten about the map until the smell pulls the memory—all of it—out of an old file cabinet in her mind.  She mimics the action within, and with her thumb and forefinger, she pinches the corner of the map and eases it from a casing that isn’t its contemporary, taking care not to drag the edges against the stiffness of the manila envelope.

    She spreads the map out on the desk, pushing some of the stray papers out of the way and onto the floor.  A passing impulse to pick them up seizes her, but she ignores it and dives, back straight and toes pointed.

    III. (Mare Vaporum)

    “It’s my birthday, that’s why,” Tessie says, her reason trumping his protest.

    “Fine.”  Lino agrees grudgingly, and he scoots over to the passenger side of the truck.  “But I get to wear the motorcycle helmet.  You can wear Dad’s helmet.”

    “Fine.”  Tessie tightens the chinstrap of the helmet and then climbs into the driver’s side of the truck.  She checks her watch and says, “Blastoff in t-minus five minutes and counting down.  Lieutenant Colonel Lino, are all your systems go?”

    Lino fiddles with the radio, adjusting the dials with great concentration. “Aye, Captain Tessie.”

    Tessie fastens her seatbelt and declares, “I’m not a Captain.  I outrank you if I’m flying the ship.”

    “You outrank me if you’re in the Navy, retard.”

    “I’m gonna tell Dad you called me a retard on my birthday.”

    “Whatever, retard.  Not like a girl could fly a spaceship anyway.”

    “Girls can too fly spaceships.”

    “Not in this galaxy, retard.”

    Tessie feels the tension rising in her neck as she struggles with angry tears.  She knows Lino won’t let her live it down if she starts crying.

    IV. (Mare Tranquillitatis)

    Mrs. Fleming looks up from her lunch and calls for attention over the hum of the children in the classroom.  “Tessie?  Are you ready for your Show and Tell?”

    Tessie smiles widely and nods.

    “Please come front and center then.”  Tessie stands and walks slowly to the front of the classroom.  She catches Angie’s eyes as she passes her desk, and Angie gives her a bright grin for encouragement.  “Boys and girls, you need to give your full attention to Tessie.”

    Tessie doesn’t like standing and talking in front of the class, so she decides to look right at Angie and pretend like she’s just talking to her and Mrs. Fleming.

    “What did you bring in?”

    “It’s a rock.  It’s…it’s my favorite rock in the whole wide world.”

    “Why is it your favorite?”  Mrs. Fleming is nice, and her gentle calm eases Tessie into explaining.

    “I found it on my grandpa’s property.  My brother Lino and I were playing bakery, and I found this one.  I think it looks kinda like one of those donuts with strawberry filling on the inside, and after we stopped playing bakery with it, I put it in the rock tumbler at Grandpa’s house to get all shiny.”  Tessie proudly holds it up for the class to see.  The kids in the front of the class strain to look at it.

    “Would you like to pass it around so the other boys and girls can see it?”

    Tessie looks right at Bobby, who looks like he wants to chuck the rock right out the window.  She sets her gaze to Angie, who nods furiously from her desk.  Tessie looks to Bobby again, and then she decides to hand it over to Marcos on the other side of the room to pass it around first.

    Marcos holds up the rock to the afternoon light coming through the windows, appreciating the deep red vein of sediment separating the quartz on either side of the rock.  “It does kinda look like a donut!  Or maybe a burger,” he says aloud.  Behind him, Ricky pokes him in the back and says, “Don’t hog it!  Lemme see it!”

    Mrs. Fleming says, “Can you tell us more about your rock?”

    Tessie watches Ricky hold it up to the light.  “When I grow up, I’m going to be an astronaut and go to the Moon.  And when I come home from the Moon with a real moonrock from the Sea of Tranquillity, I’m going to put it in my mansion right next to my favorite rock.”

    V. (Mare Humorum)

    “Stop calling me a retard, you asshole!”

    Lino’s eyes widen, and he stifles a triumphant chuckle.  “I’m so telling Mom you called me an asshole, RETARD!”

    “Go ahead and tell Mom!  You know she’ll be too tired to do anything!”

    “Then I’ll tell Dad.”

    Tessie wants to stop the tears, but she can’t.  “Why are you being so mean to me on my birthday?”

    Lino’s face betrays his internal division: part of him wants to keep needling her, but the greater part has enough sympathy for her on her birthday.  “I’m sorry, ok?  Can we just go back to playing spaceship?”

    Tessie’s red, hurt eyes stare through him.

    Lino says, “I’m really sorry.  You can be Admiral of the Galaxy if you want.  Ok Admiral Tessie?”

    Tessie fiddles with the seatbelt, making sure it’s taut and prepared for spaceflight.

    VI.  (Mare Foecunditatis)

    Tessie nervously eyes all the other children leaving the classroom.  She’s certain that she did something wrong—Mrs. Fleming wouldn’t have asked her to stay after school otherwise—but she can’t think of what she could have done.  She cleaned up all the paper from her collage and even helped Krissy clean up her share, too.  She helped put all the bottles of rubber cement back in the cupboard and even took a note to Mrs. Orozco across the hall.  She just can’t put her finger on what she could have done wrong.

    “Are you ok, Tessie?  You look really upset.”  Mrs. Fleming rummages through a box, pulling out a map that she unfolds on the table at the front of the room.

    “I just don’t know what I did wrong to stay after school.  Whatever I did, I’m sorry I did it, even though I didn’t know what I did.”

    “Oh, Tessie!  I’m sorry!  You didn’t do anything wrong.  You’re always so well-behaved.  I just wanted to give you something.  Come here and take a look.”

    Tessie picks up her bookbag and walks to Mrs. Fleming.  Her present is stretched out across the most of the table.

    “Do you know what this is?” Mrs. Fleming asks.

    Tessie looks to the legend on the map, and it reads The Moon.  “It’s a moon map, right?”

    “It is!  I’m throwing out a bunch of old things, and I thought you might like to have it.”

    Staying after class has never been better, Tessie thinks.  “Really?  I can have it?”

    “Yes you can!  Can you find the Sea of Tranquillity on it?”

    Tessie scans the darker portions of the map, and she finds it’s there, one of the darker patches near the middle of the map.  “Yes!  It’s right there!”

    “You’ll need this map for when you get to the Moon.  So if you’re stuck in the middle of the Sea of Tranquillity, you can sail back to the Sea of Fertility through this strait right here.”

    “It’s not really a sea, Mrs. Fleming.  It’s just a different color of sand.”

    Mrs. Fleming chuckles and says, “No, it’s not.”  She looks a little embarrassed for a moment.  “Sorry.  You’re absolutely right about that.”

    VII.  (Mare Imbrium)

    Tessie checks her watch and looks at the second hand tick past the twelve.  “T-minus one-minute to blastoff.  All systems looking good, Lieutenant Colonel Lino?”

    “Aye, Admiral Tessie.”

    “And our navigation systems?”

    “Oh no!  I forgot the map!”  Lino looks disgusted with himself.  “I’ll run inside and get it.”  Lino pulls off his helmet and tosses it on the floor to run inside.

    Tessie shouts after Lino, as he runs back into the house.  “Hurry Lieutenant Colonel Lino!  If we have to delay the blastoff, it’ll all be on your head!”

    Tessie stares at the dials of her dad’s pickup truck, and she mentally assigns a task to each of the dials.  The odometer becomes the distance from Earth, and the speedometer is rechristened the altimeter.  She meditates on the fuel gauge and decides that its function should remain the same.

    Lino jumps back in the truck.  “Navigation systems in place, Cap—I mean—Admiral Tessie.”

    “Glad you could join us, Lieutenant Colonel Lino.”  Tessie looks at her watch.  “Blastoff in t-minus…ten…  Nine…  Eight…  Seven…”

    Tessie’s excitement seems to be propelling her forward.  She starts to wonder if this is what spaceflight is really like.  She’s even able to imagine the outside moving outside the truck.

    “Six…  Five…  Four… ”

    Tessie pauses for a moment.  Something’s wrong.  A flash in her peripheral vision agrees with the feeling that something’s wrong.

    “TESSIE!!!  WE’RE MOVING!!!”

    The truck is moving.  It’s slowly picking up speed as it follows the natural decline of the street.

    Tessie panics astheworldstartswhizzingpast.  She screams.

    “PUT ON THE BRAKE!!!” Lino screams.

    Tessie pulls herself back to look at Lino and hear his reason.  She sinks down in the seat, trying to push on the brake with both of her feet, but her legs won’t reach.  They’re too short, and she’s too small.  “I CAN’T REACH!!!”

    “PUT ON THE EMERGENCY BRAKE!!!”

    The neighbor’s truck at the bottom of the hill grows closer and closer.

    Tessie finds the emergency brake, but she can’t put her foot on it with enough pressure to make it work.  It’s just as difficult a pedal as the regular brake.

    She doesn’t see it happen.  She just hears a gigantic, loud crash.

    VIII. (Mare Crisium)

    There’s no birthday cake.  There probably won’t be any at all.  Dad said they were going for birthday ice cream instead of birthday cake after dinner, but that was hours ago.

    Tessie decides to risk opening the door to see what Dad’s doing.  She puts her hand on the knob, and very carefully—silently!—turns the knob clockwise, and when it goes no further, she slowly pulls it toward her.  It opens without creaking, and she carefully turns the knob counterclock wise, and when it stops again, the lock’s tongue sticks out at her again.

    She peers out of a sliver-thin crack in the door.  She can just see into the kitchen.  Dad’s sitting at the table.  He’s got his head in his hands.  Tessie wonders if he’s been sitting like that since he got off the phone a few minutes ago.

    There’s a loud crack, and she looks to the source.  Mom’s come out of her room.  Panic floods into the spaces she has left in her head for thoughts.

    Lucky day.  Luuuuuuucky day.  Mom waddles past the door, supporting herself with her arm on the fridge when she gets into the kitchen.

    Dad doesn’t seem to notice.

    “What’s your fucking problem?” Mom says.

    “We’ve got a kid with a concussion and a hospital bill we can’t afford.  And we don’t have the truck anymore,” Dad replies, rubbing his eyes.  “I’d consider those big fucking problems.”

    Mom sits down at the table.  “You should have punished them.”

    Dad looks up at her.  “I sent them to bed without supper.  I think Lino’s been punished enough.  Not much else I can do.  It’s not like I can hit them up for the money.”

    “Ask Joey for an advance.”

    “Joey’s not gonna give me an advance because he advanced me last month, and the month before that—”

    Mom interrupts with, “You don’t have to rub it in.”

    “—and the month before that, and even the month before that.  In fact, I have no way of getting to work now.  I’ll have to see if Doug can pick me up on his way in and pay him for gas until we can afford to fix it.”

    Mom just stares at Dad for a while.

    “You’re rubbing it in,” she says.

    “What on earth am I rubbing in?  Can you tell me?”

    Mom snorts and says, “You’re going to accuse me that I wasn’t there for my kids.”

    Dad says, “Did I say that?”

    “You were thinking it.  Just because I didn’t take Lino to the emergency room with you and Tessie and Old Man Lawton you seem to think—”

    “I never said that.  We had to take Lino because he needed stitches—”

    “—that I’m some monster of a mother who wasn’t paying attention—”

    “—and we owe Dean Lawton a lot of thanks for taking us in his car because Lino’s cut was pretty bad.”

    “—and you just think you’re the greatest father in the world because—”

    “We have to wake him up every hour to make sure he’s ok because he’s got a concussion.”  Dad gets up from the table to get to the fridge.

    “—you make me feel like shit all the time.”  Mom sits back in her chair, and she has to grab the sides of the table to steady herself.

    Dad says, “This conversation is over.  You know I can’t stand talking to you when you’re like this.”

    “You don’t talk to me at all anymore.”

    Dad doesn’t answer her.  He just stares at the open fridge.

    “I’m drunk all the time because I married you.”

    “Maybe you should go back to bed, Dora.”

    “I’m staying right here.”

    Dad turns back to look at Mom, and he asks, “Did you even wish her a happy birthday?”

    Tessie turns the knob counterclockwise, and the tongue retreats into the door.  Mom never remembers her birthday anyway.

    IX.  (Mare Frigoris)

    Mom and Dad’s bedroom door is closed again.  Lino must be ok.

    Mrs. Fleming uses the word famished to describe how she feels when she’s really, really hungry.  That’s how Tessie feels right now.  Completely famished.

    She can’t sleep.  Part of it is from being completely famished, and the other part comes from feeling completely horrible that she and Lino wrecked Dad’s truck and that Lino got hurt in the process.  She’ll never play astronaut again. Never.  Never ever ever.

    Now that Dad’s gone back to bed, she can risk it.  Her plan is simple: into the kitchen—silently!—and over to the cabinet.  If the cabinet doesn’t stick, she’ll be in luck, and then she can get the out the crackers and a can of juice.  Then she can run back into her room and, hopefully, go to sleep.

    She turns—silently!—the knob and steps out of her room.  The floor cooperates and doesn’t squeak when she steps into the kitchen.  The lamp over the sink in the kitchen makes everything look as if it’s inside a grayish-greenish fish tank. The floor is barely visible, and Tessie tiptoes, ever so carefully, to the cabinets.

    Tessie crouches down to the cabinet at her knees, and she carefully—silently!—pulls the cabinet door toward her.  It lets out a small pop that sounds like the loudest boom in the world.

    She stops for a minute to listen, holding her breath tightly in her chest.  Quiet.  More quiet.  She lets out her breath and stares at the cabinet.  Crackers.  Juice.  She reaches for them silently, and her hands close—

    A loud pop interrupts her.  Louder than the other pops she’s heard.  Dad and Mom’s door crashes open against the wall.

    Ohnoohnoohnoohno.

    Tessie has to make a decision.  She looks at the open cabinet.  If Dad sees her here, open cabinet and all, she’s in superbigtrouble.  It’s not like she’s going to the bathroom.

    “What are you doing down there?” Mom asks.

    Tessie’s mind freezes for a second, and when its ice shatters, she decides to start an explanation that she’ll just figure out when she gets to the middle of it.  “I was just—”

    “Hand me the crackers, will you?” Mom says.

    Tessie stops explaining, and she obeys.  Mom grabs the package and takes out a stack of them.

    “Here,” Mom says, handing the package back to her.

    Tessie stares at her, waiting for the punishment to come.  She knows she’s in trouble.  Knows it.  Mom’s just trying to figure out what to say.

    Mom says, at last, “Why are you up anyway?  Go back to bed.”

    Tessie feels like another crash has just happened: relief that she’s not in trouble crashes into a sense that she feels like she should get in trouble, like she deserves to be in more trouble for being out of bed when she’s been sent to bed without supper.

    A few seconds later, Tessie turns her back to her and starts to walk back to her room.  Mom’s voice stops her with, “That’s right.  What the hell were you doing in the truck when you crashed it?”

    Tessie turns back to her Mom.  Mom’s got a cigarette lit, and the red-orange of the burning end glows brighter when she draws on it.  The end’s light brightens her face for a second, and her eyes seem more disappointed than ever before.  The answer Mom’s waiting for forms slowly.  “We… we were just playing astronauts.”

    Mom lets out a long, slow chuckle, and the smoke creeps out of the sides of her mouth in small clouds.  “That’s pretty funny.  As if either of you is gonna be a philanthropist.  Go to bed.”

    The glowing end of the cigarette separates from the cigarette, and it falls on the table.  It glows for a second, and then it goes out.

    Tessie walks slowly back into her bedroom.  She would like to ask Mom what she means, but Mom’s clearly not up to it.  Mom’s just really tired tonight.

    X.  (Mare Serenitatis)

    Her index finger traces over the hole in the map.  The edges of the hole are a deep brown from where the cigarette cherry fell on it.  The burn eliminated part of a word, so that it reads Sea of ————y.  The final letter Y doesn’t help, for there are a few that end in Y, and she can’t remember the names of all the lunar seas anymore.  She forgot them all a great long while ago.

    There’s another dark stain: Lino’s blood.  There was so much blood.

    She and Lino were so very small.  So small.  So very small with big dreams.

    Taking one last look at the map, she folds it back into its compact form and stuffs it back into the envelope.  Without a second look, she tosses it into the pile of things to throw out.

    Teresa grabs another stack of documents to sort through.  She narrows her very big eyes that look out of her very big self, coldly examining the records of her very small dreams.

    ♥ EAB

  • Falling First – some verse! – & #MoG iBooks format

    Just a quick note: Cherubim & Seraphim is now available in the iBookstore. All electronic formats—Kindle, Nook or iPad—are going for $2.99.

    As it was snowing here in NYC last night, I felt it was time to knock out a quick little ditty about it. Here’s an early draft… it’s one long sentence, 7×11.

    Falling First
    Initially, they avoid congregating,
    yet sometimes they form twisting kaleidoscopes
    of white butterflies that shun the mere notion
    of angles of repose, but when they settle,
    they invite the angels of rest to hold down
    the hours, so that all places, capitals to
    hamlets, slip beneath winter’s slow temperament.

    ♥ EAB

  • BYE 2013: Best Year Ever listings (+ a brief #MoG update)

    It’s been a slow process, but I’ve been able to gather the extent of my literary losses following the untimely dispatching of my hard drive in October. It could’ve been way worse, but here was the damage: I lost the first drafts and doodlings of my most recent poems, the redrafting I’d accomplished in August of Ministers of Grace Book 2: Virtues & Occultations, and an embarrassing number of photographs that never made it to Instagram. Somehow I’ve been able to sleep at night. I’m not entirely devastated by the loss off the headway that I’d made on Book 2, as it wasn’t substantial, and I still have the copious notes I’d made to expand the text into something that adheres to the series as a whole.

    This past Saturday (11/30) was the fourth anniversary of Sage Holloway and the Ministers of Grace universe taking up a whole complex of houses in my head. Sage and I have been talking about getting back into Book 2 again. She’s got some ideas as to how she and Merula can kick more tail than they did in the first draft. Of course, we’re going to have to carve out some time for that. Ever since grad school ten years ago, I’ve discovered that the holidays are the worst time for trying to get anything writerly done. In fact, during the first draft, I had to take a break one-third of the way in because Christmas hit, and I resumed work after New Year’s in order to complete it by 1/20/10. I have no expectations for being massively productive over the holidays, as I’ve just moved yet again (but hopefully for the last time for a long time, really and truly and mercifully, after eight times in eight months), but if I do manage to get in some serious writing time, you can count me among the pleasantly surprised this holiday season. If not, know that writing a few times a week is going to make it to my assembly of do-this-in-2014 imperatives.

    And on a side note, I have been trying to get Cherubim & Seraphim added to the iBookstore, but the review process is taking a shocking amount of time. I’ll let you know as soon as it’s available for sale there.

    One of the things that I regularly engage in over the holidays is listing my favorite things that I experienced over the course of the year and sharing them among a set of interested parties. As this year was a particularly expansive year – one in which I was on the receiving end of so many generous blessings – I’m feeling similarly generous. Please find below my top fives sometimes moar, sometimes less of the Best Year Ever.

    ♥ EAB


    films – cinema excursions
    1. Pacific Rim – I’d had no idea that this film was about kaiju, and the surprise was so welcome that I squealed in the cinema when I found out. Guillermo del Toro always pulls together fantastic things, and this is no exception.
    2. Fruitvale Station – A harrowing film about the shooting of Oscar Grant in Oakland at the Fruitvale BART station back on New Year’s Eve 2008/9. You’ll cry at least part of your face off, but it’s worth it.
    3. Man of Steel – I’d never found the Superman mythology compelling until I saw this film. I know the reviews were mixed on this one, but I loved it.
    4. Evil Dead – I was heavily skeptical about this, given my love for the original Evil Dead trilogy and the musical, but it was actually scary.
    5. The Conjuring – Great little horror flick about the Warrens. Love it.
    6. Catching Fire – While I had serious issues with the engineering within The Hunger Games trilogy, I do think that the cinematic version of this tale can be saved. That Susanne Collins isn’t the primary writer on the screenplays means that it might actually be done right.
    honorable mentions
    1. Three Days of the Condor – There were a few films (often based on books!) from the 1970s that prophesied a time when corporations would rule the world, politicians would be powerless to those who manage their pursestrings, intelligence agencies would run amok without legislative oversight and the government’s assassination program would target innocents. Sidney Pollack helmed this one and cast his pal Robert Redford as the beleaguered lead in this often overlooked gem.
    2. One of the amaaaazing things about being back in New York is getting to see screenings of classic films at IFC and the Sunshine Cinema. I got to see a couple of my favorites this year: The Shining and Poltergeist. Seeing the full frame of The Shining on the big screen was particularly impressive, as all previous video releases were all in the 4:3 aspect ratio. (I can’t attest to BluRay editions, though.)

    b-films
    1. The Room
    2. The Room
    3. The Room – While it might seem absurd to name a film thrice, it’s because The Room is an unforgettable film, so much so that I believe that chanting it has to summon some terrible Beetlejuice-like creature with even worse hair and an indecipherable accent. It is rightly referred to as the Citizen Kane of bad films. While I adore the laughably regrettable and regrettably laughable missteps that comprise The Room as it is endured within the comfort of one’s own home, it pales to the interactive experience that one finds at a midnight cult showing. If there’s one by you and you’ve already partaken in The Room’s hideousness, go now or forever use your plastic spoons sensibly.
    4. Samurai Cop – If you were obsessed with Lethal Weapon photo stills and unillustrated martial arts how-to books and had never actually seen a film in your whole goddamn life, this would be the movie you’d make. It is a counterintuitive mess featuring a migrating wig and a scene-stealing police captain.
    5. Sharknado – I gave into the hype, and it was pretty funny. The sheer concept of it is SyFy gold.

    tv
    1. Agents of S.H.I.E.L.D. – Joss Whedon (et al, as the case is), as brilliant as he is, has a hard time starting a serialized story. For example, Buffy the film wasn’t as good, and neither were the first few episodes of the tv series, but after it hit a stride a few episodes in, it was outstanding. The same thing went with Angel. And Firefly. In other words, you kinda have to weather that rough start to get to the gold. After a few episodes, I can confidently state that I’m hooked although I admittedly wasn’t convinced at first.
    2. Game of Thrones – This show is so damn good I can’t take it. #redwedding. That’s all.
    3. House of Cards – When I got my Netflix back – yay! – the first suggestion they made was this, and I binged. Brilliantly done.
    4. Law & Order – I watched all of it – all twenty seasons, every last episode in reverse order – during the winter while I was creating the final version of my book. It was a Benjamin Button experience, watching Sam Waterston age backwards until Michael Moriarty laid him to rest after cradling his infantine head and, too, aged backwards. This show became a standard for anthological cop/law tv, I miss it, and I’m sure I’m not alone in that. FYI: S. Epatha Merkerson does not age. The only change she ever makes is her wardrobe.
    5. South Park – They’re still doing it, and they’re still killing it.
    Perennial favorites still include Psych, The Daily Show, The Colbert Report.

    miscellaneous streamables
    1. Life of Pi – I still don’t like narratives about writers writing, but it’s such a beautiful film, so much so that I can even forgive the weird writer guy for looking so checked out every time he was on camera.
    2. Scott Pilgrim – I don’t know why I missed this one, but I’m glad I righted this wrong. Speaking of Michael Cera…
    3. This Is the End.
    4. The Dark Knight Returns, Parts I & II – Part II was released this year, and it was just as wicked as the previous installment.
    5. The Bletchley Circle – A surprising little British miniseries about a group of female codebreakers from Bletchley tracking down a serial killer in the ’50s.

    music
    1. Queens of the Stone Age – …Like Clockwork – I love these guys, and they’re back. The tracks in which Dave Grohl is on drums are transcendental.
    2. Wye Oak – Civilian – Singer Jenn Wasner has a husky frankness in her voice, like she’s letting you – and only you – in on a secret.
    3. Metz – METZ – Death by Audio, the music venue in Williamsburg, contains an innate falsehood in its name. The truth is that there are many other things that can kill you there, from the deterioration of the structural integrity of the warehouse in which it’s located, to the electrical system, and back again to the complete lack of temperature control therein. The only thing that won’t kill you is the music, but it is probable – and only probable and not due to one’s assertions on theology – that if you do die due to the collapse of a support beam while rocking out, you might be en route to heaven. When I caught Metz there in August ’12, the experience was such that I know that I will never, ever be as hot as I was in that venue after the power had failed and the indoor temperature soared well over 110 degrees. Nevertheless, I was so impressed by the band that they’ve been on my radar ever since, even though I only really dove into this album this summer.
    4. The M Machine – Metropolis I and Metropolis II – If you like electronica, start with “The Palace” on Metropolis II. You should be totally in love by the time you hit “Tiny Anthem.”
    5. Stevie Wonder – Innervisions – The day after I flew into LGA and moved back to NYC, I had brunch at Grey Dog in Chelsea, and “Don’t You Worry ‘Bout a Thing” came on, after Supertramp’s “Take the Long Way Home” played, and it was an apropos welcome home. This album was consequently on heavy rotation in the weeks that followed my return, and I recommend y’all revisit it, too.

    books/comics
    1. Brian K. Vaughan – Y: The Last Man – This is a phenomenal graphic novel series about a world in which all males on the planet have been wiped out by some mysterious illness save a 20-something human named Yorick and his monkey Ampersand. It’s an incredible critique on society as well as the underdeveloped state of feminism. I’ve been talking about this since I binged on all ten volumes over Memorial Day weekend.
    2. Stephen King – Doctor Sleep – I’m a King apologist, so while this is flawed, it was great to reconnect with Danny Torrance and feel some of the terror that King can convey in prose.
    3. Michael Lewis – The Big Short – Great little narrative explaining some of the WTF that precipitated the financial crisis of ’08.
    4. Victor Cha – The Impossible State – This is a comprehensive, alarming and unforgettable book about the sweeping sovereign dysfunction that is North Korea.
    5. John Burnside – The Devil’s Footprints – I love the darkly charming voice in this novel.
    honorable mention
    T.S. Eliot – “The Dry Salvages” from Four Quartets – It was a religious experience when I read Four Quartets a couple of years ago. I had the treat of making my way to Gloucester this year, where I was able to sit near the ocean and experience the atmosphere that surrounds the actual Dry Salvages, the rock formation just off the coast. The whole time, I had phrases from this portion of “The Dry Salvages” ringing through my ears:

    For most of us, there is only the unattended
    Moment, the moment in and out of time,
    The distraction fit, lost in a shaft of sunlight,
    The wild thyme unseen, or the winter lightning
    Or the waterfall, or music heard so deeply
    That it is not heard at all, but you are the music
    While the music lasts.

    live things/shows etc
    1. Rain Room at MoMA – By far one of the coolest installations ever. It was worth the wait to get in, because everything inside is prismatic and cool (temperature-wise, quite welcome in June) and beautiful.
    2. Magritte show at MoMA – I fell in love with Magritte’s clouds when I was visiting MoMA in June for the Rain Room. If you’re into surrealists, I highly recommend this show, esp. as it includes a number of private collection pieces that are stunning to behold with your own eyes.
    3. Book of Mormon – Have you ever laughed so hard that you (basically) black out? I laughed until my sides hurt, I thought I was going to puke, and until my brain shut off because it was just too damn funny. Save up your pennies over the course of six months and see this. It’s worth it.
    4. The Colbert Report on September 5, 2013 – Not only do you get to see Stephen Colbert out of character, you get to feel his energy. He’s an awesome presence on a stage. Plus I was on camera shouting, KILL THESE KITTENS!!!
    5. CitiField – Another great thing about being back in NYC is seeing the Mets play. Hellsyeah.

    web & apps
    Trust me and clicky-clicky:
    1. Texts from Star Trek: The Next Generation
    2. This has to be the angriest customer service call ever
    3. Pretty things: My Modern Met
    4. Moar pretty things: Petapixel

    miscellany
    1. I released a book, which was a massive life accomplishment. It’s the first in a trilogy called Ministers of Grace, and forgive me, but this is my shameless plug for it if you haven’t read it already. You can read all about it here: http://ministersofgrace.com.
    2. I also did some blogging about my time at ———-. Of course, it’s not at all about ———-. Not at all: http://copyclerking.tumblr.com/
    3. I am an addict and I must be put down because I can put down a half-dozen donuts from The Cinnamon Snail and still function normally. Best damn food truck in the world, I tell ya!
    4. At the start of this year, I made the following vow:

    Dear 2013,
    While you’re in charge, I vow to pursue expansion, discipline, and transformation with all the ferocity I can muster. I refuse to be limited by my expectations or perceptions.
    Love, EAB

    It wasn’t always easy, but I made this vow my mission. This has truly been one of the best years of my life, if not the best year so far.

    Here’s looking forward to doing it again in ’14.

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